I write dialogue by eavesdropping on my characters. When you know a character, you can hear their voice in your head...
From the Writers’ Room is a regular feature where we invite the writer behind the most recent serial episode to give us a behind-the-scenes glimpse at just what went into this week’s installment.
Content From This Feature
Suffice it to say that, after the Tremontaine writing team’s usual intense weekend Season Brainstorm last winter, I wrote my Episode 1 and then bowed out...
Being a writer is like being a director with a crowd of characters demanding ‘So, what’s my motivation?’
I enjoyed writing this episode for its sense of foreshadowing, the way it lays down a few basic principles that we planned to use for the rest of the season.
Serial fiction is a wonderful weird beast, and hasn’t been the dominant medium of fiction for a while—but whether we realize it or not, we have a ton of experience with serial storytelling to be drawn upon when we come to write serials.
But while the members of Team Three dash around the world (and beyond it) as a matter of course, the most traveling I generally do for the series is an annual flight east for our story summits. I thought it was cool that Andrea had done to research to reference a real artifact, but I figured a picture on the Internet would be the extent of my involvement with the Punic Egg. I didn’t think I’d actually, you know, lay eyes on the damn thing. Until this summer, when where should I find myself but… London
Co-writing a story has a number of benefits, but does come with its challenges, as well. You and your co-writer(s) must be clear on your process, expectations, and goals up front in order to weave your story together.
The original concept for this episode as proposed (...by me) during the summit was “Spooky Forest.”
One of the main impacts technology has had on society and culture in general is breaking down boundaries, making it both easier and harder to find things that were previously obscure. And I think that’s as true with literature as it is with anything else.
At this stage in writing Bookbuners, each of us on the writing team has a particular kind of episode that we’re considered to be good at.
"--Jane?" I had heard Rob's question. It's just that while I was in the middle of performing CPR in the back of an ambulance on a patient who had been very stable until he had all of a sudden up and crashed, I wasn't going to stop and answer it. It was a stupid question anyway. Not that that stopped Rob from repeating it.
When you’re inundated with writing advice, especially in plot-driven genres, it’s easy to pare down your characters to their role in the plot. The mentor becomes sort of mentor-y, the sidekick sidekick-ish.